© LDC / Crown Record Co., Ltd. (via Youtube)
Nice Japanese Compilation of Jazz, Funk, Ambient, Rock, and World called On The Beach. The LP was originally released in 1985 and is available as a YouTube video nowadays. The ideal soundtrack –and video– for some summer/holiday vibes, here is its tracklist:
- Taeko Ohnuki (大貫妙子) – Summer Connection
- Shigeru Suzuki (鈴木茂) – テレスコープ (Telescope)
- Shigeru Suzuki (鈴木茂) – ラハイナ・ガール (Lahaina Girl)
- Shigeru Suzuki (鈴木茂) – Brandy Wine
- Haruomi Hosono (細野晴臣) – Hurricane Dorothy
- Kaze (風) – 海風 (Umi Kaze)
- Kaze (風) – 3号線を左に折れ (3-Gousen o Hidari ni Ore)
- Yuko Tomita (とみたゆう子) – 海のキャトルセゾン (Umi no Cattle Saison)
- Ryohei Yamanashi (山梨鐐平) – 熱い恋 (Atsui Koi)
- Haruomi Hosono (細野晴臣) – Exotica Lullaby
© ARTE (via Youtube)
Great German short documentary by franco-german television station ARTE about Machiya, a traditional architectural style from Japan.
The entire series Stadt, Land, Kunst (City, Country, Art) is fascinating —not only but all the more when the segments are about my place of longing.
© School Of Life (via YouTube)
Wabi-sabi refers to the beauty of the impermanent, the imperfect, the rustic and the melancholy. It derives not from the love of invincibility, youth and flawnessness, but from a respect for what is passing, fragile, slightly broken and modest.
I keep coming back to this essential principle of Japanese philosophy.
© Nippon Design Center
© Nippon Design Center
Experience Japan Pictograms are a novel set of visual symbols developed for people of all cultures and ages to enhance their tourism experience in Japan. These uniquely simple and easy-to-understand pictograms are designed under the key concept of “second encounter with Japan” to invite visitors to explore and enjoy Japan a little deeper than before.
The studio of renowned graphic designer Kenya Hara, the Nippon Design Center, has released a free set with more than 250 pictograms primarily intended for the tourism sector in Japan. Even though the collection naturally has multiple rather specific icons, there’re some nice basic and universally applicable ones among them, too. Definitely worth a glance.
A developed country is not a place where the poor have cars. It’s where the rich use public transportation.
Interesting article from Metropolis on the urban design of Japan’s capital and Why Tokyo Works.
© Craig Mod / Carina Fushimi (via YouTube)
A lovely short documentary on the Japanese craftsmanship involved in the making of a photo book called Kissa by Kissa. Besides The Craft of “Kissa by Kissa” — Bookmaking in Japan, Craig Mod has a lot more unpretentious videos from Japan to discover on his YouTube-Channel.
Watching those makes me dream about travelling the world myself again —and hopefully Japan someday, too.
Macht schöne Dinge. Macht Dinge, die man benutzen kann. Macht einfache Dinge. Hütet Euch vor zu viel Kunstfertigkeit. Hütet Euch vor zu viel Wissen. Das Werk sollte gesund sein. Achtet die Handarbeit. Seid darauf bedacht, den Preis niedrig zu halten. Macht Gefäße, die Ihr selbst gern benutzt. Das Werk sollte bescheiden sein. Innere Klarheit ist die Grundlage der Schönheit. Beachtet die Eigenschaften des Materials. Beobachtet die Natur intensiv. Das Gefäß zu formen entspricht der Formung der eigenen Persönlichkeit.
Small Seasons
A short introduction to Sekki
One of the books I’ve read and deeply enjoyed last year was “White” by renowned Japanese graphic and industrial designer Kenya Hara. In his book, Hara elaborates on the value of white for aesthetics and design as well as the significance of emptiness for humane communication and Japanese culture. One of the manifold cultural phenomena casually brought up in the book –which, again, is well worth reading as a whole– is Sekki (節気).
In ancient China and Japan, when agriculture was the backbone of society and the focal point of everyday life for the vast majority of the regular population, farmers broke down the year in twenty-four Sekki. In contrast to our four long seasons, those “Small Seasons” were not pinned down to calendar dates, but based on environmental phenomena and the rhythm of nature instead. Basically, each Sekki is linked to a specific climatic shift, lasts for about two weeks, and is often described with almost poetic language to visualize the outlined changes.
Because I grew up in a city –seemingly disconnected from agriculture– seasons never held that much importance for me to begin with, but as a grown-up, that segregation even got worse. And as if that wasn’t enough in and of itself the ongoing pandemic has flattened life brutally last year; Trips can’t take place, events have been postponed or are canceled completely, leisure activities are on hold and most human encounters are reduced to strictly digital gatherings.
With weeks passing by in an instant and months blending together seamlessly I’ve found some relief in the idea of small seasons. It’s somewhat therapeutic to have a fine-grained time measurement to hold on to and it’s refreshing to have something to look out for in nature — even though living on a different continent means that nature has a different rhythm to varying degrees of course. It’s a welcome variety to this Groundhog Day-like array of dim repetition most of us are currently trapped in.
If you’re interested in the concept of Sekki, too, and want to break down the upcoming year in small seasons yourself now, I highly recommend “A guide to understanding Small Seasons”. Canadian designer and developer Ross Zurowski has built a simplistic and informative website, a twitterbot, and even some handy tools to add Sekki to your Google or iCal calendar.
And in case you have an idea on how to evolve the whole project further, you can contribute to its Github repository. There are already a few more interesting alternative calendars from different cultures referenced over there.
Approximately today –as mentioned before dates vary– is the “Start of spring”, called Risshun (立春), so it feels very appropriate to use this as an introduction to my renewed blog. More about that in another blog post soon, but for now: Hello world!
“Ground thaws, fish appear under ice.”